On November 9, 1989, the world changed forever. It fell the Berlin Wall, there were no more divisions and after 28 years, Germany was once again a. Of course, the unification was not from one day to the next. Those who traveled the streets of Berlin during 1990 still had to dodge the pieces of concrete that continued on the ground and a simple glance was enough to differentiate the landscapes of the East and the West.
The actress and theater directorl Karina K tHe was 24 years old when he visited Berlin for two weeks to present himself with the theater company that was part of Barcelona, Las Cataliticas. Although it was short in time, that experience marked her for her whole life: He still keeps memories, learning that he captures in his work as he did in his Mamapunk work and images that remained forever in his retina.
“I arrived in November 1990, a year of the fall of the Wall ”, the actress remembered who He found East Berlin practically the same as (they told him) it was before the unification, except for some details: “I remember there was a Mc. Donald’s and many sex shops, one was in what used to be a supermarket, I was struck by the gondolas still ”.
Karina, her three cast mates and a friend of them who was French and officiated as a translator (they, Argentinian and Spanish, handled with English) were summoned by a gay coordinating group from Germany to act on the alternative circuit that, in times of transition, was just beginning to resurface.
“They had seen our neo cabaret group in Barcelona and they called us. We paid our tickets and they gave us the stay ”, He said and remembered that since there was no money, they hosted them in a house taken in East Germany, since during the period that the Wall was erected, many people decided to leave their homes to cross to the other side of Berlin.
“It was a very under place. They entertained us all the time, they had no financial solvency, but they brought us breakfast and a pot of food. They took us to an alternative theater circuit because what they wanted to share with the public in East Berlin, that they had no access to these cultural activities and that they were just beginning to meet another artistic proposal ”he counted. Because of the small number of places to perform in the Eastern part, most of the shows (they performed every day), were made on the Western side.
With little budget, but eager to act and live the experience, not knowing the language did not stop Las Cataliticas whose slogan was "warm but not burn" for its show risen. If there was little light in the place, the owners lit them with flashlights. The language was not an obstacle either and his French friend became an obligatory actor: “He was dressed and we put him on a lectern in the show. It was a satire. ”
In the two weeks he was in Berlin his head was filled with images that perfectly graph the story. "Although a year had passed, the division was shocking, seeing the fragments of the Wall that was no longer there, the remains on the floor, and looking to one side and seeing lights and colors and to the right all gray, the turquoise strollers that were left from East Berlin ”, he remembered about that photograph.
"It was a range of grays that I was very recorded" and told an anecdote: “One night I finished a show and we went out to the bars and it was jumping from one side to the other with the remains of the Wall that were left on the floor, we lived it as something even romantic and poetic but, how much suffering! What we were doing was unthinkable two years ago, that game cost lives and we celebrated the fall of the Wall. ”
Karina said that there were fragments of the Wall lying on the floor and others still standing: “It took time, that remains a testimony today. The graffiti was surprising on the Western side. But without a doubt what struck the most was the contrast, you can't tear down the entire concrete wall from one day to the next"
“The interesting thing was that I didn't have much more information before arriving. I was impressed that there were large remains of the Wall. Everything was as stopped in time, as it had been ", he recalled about the cold days he spent in Berlin.
By the time she stepped on Germany, people on both sides began to come together again: “I remember a factory in the east that was transformed into a disco and the artists took it, who used aesthetics and filled it with lights, we were very shocked. The industrial and austere was mixed with the lights and lasers ”.
Even a year later there were still extreme neo-Nazi groups in the city: “We got to see skinheads with baseball bats that were against immigrants, they had shirts that said ‘build the Wall’. A social change is a slow change, with the fall of the Wall the blocked countries had to adapt to a devastating capitalism, it is a deconstruction for a construction. "
Most of the time they rehearsed, but when they could go for a walk: “I remember that we were very much on the subway and it was surprising that dogs could travel in it. The rest of the time, everything was vertigo for acting and acting. ”
A trip that left marks
The gray ranges, the contrasts, the theaters under where she acted inspired her to make her show Mamapunk, which on December 6 will be presented at the QUEER Art Festival at Casa Brandon (Luis Maria Drago 236) and starring his wife, Cinthia Manzi: "Everything I saw was used for the scenery, it was my aesthetic."
His show is based on the life of the German artist Nina Hagen: “She sang in the fall of the Wall. She was a rupturist artist and talked about disarmament, the environment and things that in her time were like our crack today. Today we have to transform that thought of Nina, she is a humanistic symbol ”.
From that moment until today, Karina who also does the work What do we do with Walter? could not return to Berlin, but one of her goals is to return with her partner to show her the landscapes that inspired her to do the work that brought her many satisfactions as a team in life and at work.